Familiar ground
Utpal Borpujari in an interview with Geeta Abraham Jose, whose first novel is about her own community, the Syrian Christians
Remember The God of Small Things and the world created in it by Arundhati Roy? It is the same world of the Syrian Christian community of Kerala that Geeta Abraham Jose takes a reader into through her debut novel By The River Pampa I Stood.
An IIT-Chennai alumni, Jose lives in Dubai.A portion of the proceeds from the book is being donated to the Nav Srishti Foundation (an NGO that works for under-privileged women in India) by Srishti Publishers & Distributors.
This is not the first novel with the Syrian Christian community as the backdrop and Arundhati Roy's The God of Small Things is the most famous example of that. How would you describe your novel's theme?
Way back in 1995, I said to myself, ‘Hey, why not write a book using my own community as the backdrop? This is an uncharted territory. So let me write about it.’ That's when my novel was born.
I had almost completed writing it when Arundhati’s novel took the world by storm. I loved her book but I was amazed at the similarities in the theme and the family set up. We come from the same Syrian Christian background and anyone from this background would know the kind of incidents which could raise eyebrows in a highly conservative society like ours. This could be the reason for the similarity in the theme. As for the kind of life that existed in the pre-Independence era, I picked a lot from conversations with people from the older generations of the community.
As for the river Pampa, it has always remained close to my heart. I grew up hearing legends about the Pampa and during the hot summer days we cruised on its serene waters through the Kuttanadan plains. What is particularly appealing about Kuttanad is its old-world charm, its slow pace of life and its innocence which remain unchanged.
There seems to be a deliberate attempt to ride on the success of Chetan Bhagat, as the cover page of your book says, “A novel by yet another IITian”. Comment.
My book is not a book about IIT. I guess my publishers are still riding on the crest of the success wave of IITian Tushar Raheja’s novel (Anything for you, ma'am), which they published last year and still remains a hot favourite with teenagers in India. The publishers were attracted to my manuscript because it was penned by another IITian. That could be the reason for the rejoinder on the cover page.
How important was the Syrian Christian backdrop for your first novel?
I chose this background only because I am familiar with the community I was born into and brought up in. I was very particular that the descriptions of lifestyle and traditions be original; only then does the book have literary value. Instead of treading on unknown territory, I chose to walk confidently on familiar ground. I did not need much research for portraying the community's characteristics.
How long did it take for you to conceptualise the storyline and actually write it down?
It took me around two years to complete the novel. In one of my creative moments I must have conjured up the plot. The conceptualisation of the storyline must have taken only a couple of months. When I relocated to Dubai, the manuscript travelled with me and lay dormant in the bottom drawers of my closet. About a couple of years ago I transferred it to a word document on my laptop and gave it a few finishing touches before dashing it off to publishers.
Having been settled in the Gulf, has it allowed to take a more objective view of your society when you wrote the novel?
Sure, it did. But the main portions of the novel were written before I moved to Dubai to join my husband.
Are there autobiographical elements in the novel, since it ends with such an indication?
If it seems so to the reader, then I have succeeded in what I intended it to seem like. I wished that the reader would read it as though it was a true story. Frankly speaking, it is not autobiographical. A few incidents were picked from my associations with senior citizens. The main plot is totally fabricated. I have written in first person using a ‘journal style’ in order to lend credibility to the story.
As a first time author, what kind of experience did you have while looking for a publisher?
Oh, that was really the difficult part. Some publishers sent instant regret letters. Some kept the sample chapters for a long time and nothing ever happened. As I said, initially it was the ‘IITian’ tag that caught the attention of Srishti Publishers— who are well known to provide a platform for amateur writers— and then the manuscript was read and appreciated by the editor. Many a manuscript is born to blush and die unseen… You need to send it to the right publisher at the right time.
